節氣霧語 — 張富峻個展
Solar Terms in a Whispering Mist – CHANG Fu-Chun Solo Exhibition

｜展期 Duration｜
2022/6/15 (Wed) - 7/30 (Sat)

｜地點 Venue｜
大河美術 RIVER ART GALLERY

｜簡介 Introduction｜
大河美術將舉辦藝術家張富峻之最新個展 ——「節氣霧語 Solar Terms in a Whispering Mist」，透過作品中強烈的心靈筆線對應著遠方，感受遙遠氤醖亦或被霧籠罩著的迷濛山林。本次展覽將劃分為五大展區：春、夏、秋、冬，並在當中穿插藝術家創作過程專區，亦於第五展區佈有茶席意象，期望在這個後疫情時代，與人們心靈對歌，療癒身心。

「節氣霧語」，意旨節氣在霧中低喃，或者在霧中低語著節氣。人們在霧裡聽見自身的低語，而輕喃的霧，映射著節氣的心靈，「霧語」是一個包裹著生命經驗的特殊情境。

2022年「節氣霧語」最早源於1992年「觀花系列」水墨創作。2013年，藝術家試著在遠方的山景加上龍眼炭屑與膠質作為媒介，使畫面富有肌理，接著用膠彩一層層分染、渲染、層染，使「觀花．節氣」不單純有水墨的底蘊，更產生個別節氣獨特的色調層次，最後給予濃重的書寫筆線，傳達心靈的抒懷。藝術家近30年的創作細語，觀者都能夠在本展第四展區一窺究竟。

「觀花」，是空間的探討；「節氣」，是時間的表現；「霧語」，則是心情的低喃。霧模糊了景物，讓人們意識到距離，而距離則使得對周邊事物的感知，多了迷離變化的體驗與想像，進而迷濛了心靈，讓對外追逐現象的意識，反轉自身，產生靜心觀照的審美狀態。現代都會生活，無法清晰界定二十四節氣帶來的精細體驗，脫離了日月晴雨的自然親密感，只剩下被割裂孤離的狀態。張富峻期望透過二十四節氣系列創作，使觀者慢慢品嚐，緩緩細細、溫溫柔柔的品味，同時，本展也透過布幔裝置，營造迷霧如煙的氛圍。希望這樣清淡的距離，使人們在霧中自我省思，而更能泰然面對自身的行動。

身為臺灣藝術家，張富峻試圖藉由迷霧意象反映當代心靈的迷惑，此時環境遽變的震盪衝擊，天災人禍、疫情頻繁的恐懼，甚至對地球、國家前途的迷茫感，讓眾心靈所交織的世界迷霧更顯得濃厚困重。藝術家嘗試將獨特的心靈狀態涵攝在「節氣霧語」中，希冀在返身觀照中調頻，祝福並療癒緩解地球以及臺灣土地的生命陣痛。

RIVER ART GALLERY is going to present a new solo exhibition of CHANG Fu-Chun, “Solar Terms in a Whispering Mist”, which communicates long distances through the intense spiritual brush lines within the work with a sense of remote emanations, or misty mountains and forests shrouded in fog. The exhibition is divided into five exhibition areas: Spring, Summer, Autumn, and Winter, interspersed with areas devoted to the artist’s creative process, as well as a fifth exhibition area spread with the image of a tea banquet, hoping to sing with people’s spirits and heal body and mind in this post-epidemic period.

“Solar Terms in a Whispering Mist” means solar terms whisper in the mist, or solar terms are whispered in the mist. People in the mist hear their own mutterings, and the soft-whispering mist shines forth the spirit of the solar terms. “Whispering Mist” is a special context that bundles together the experience of life.

2022’s “Solar Terms in a Whispering Mist” has its earliest origins in 1992’s “Flower Viewing” series of ink creations. In 2013, the artist tried adding the mediums of longyan charcoal and colloid onto a faraway mountain scene to give it rich texture, then used colloid in layer after layer of differential staining, rendering, and layer dyeing, causing “Flower Viewing・Solar Terms” to not only have an ink base, but also producing unique tonal layers of individual solar terms. Finally, lines of a thick writing brush are given, conveying the expressiveness of the soul. Viewers can take a peek at the artist’s 30-year creative chat in the fourth exhibition area.

“Flower Viewing” is an investigation of space; “Solar Terms” is an expression of time; “Whispering Mist” is the muttering of mood. Mist confounds the scene, causing people to realize distance, the distance in turn making the perception of peripheral objects an experience and conception of blurry changes, blurring the mind, causing awareness of chasing phenomena outside that reverses itself to produce a meditative, aesthetic state. In modern urban life, it is impossible to clearly delimit the meticulous experience brought on by the 24 solar terms. Separated from the natural intimacy of day and night, rain and shine, all that remain are separated, isolated states. CHANG Fu-Chun hopes that through the 24 solar terms series’ creation, he can cause the viewer to slowly take things in with unhurried and attentive, soft and tender appreciation. At the same time, this exhibition also creates a misty, smoky ambience through the installation of cloth curtains. It is hoped that this sort of light distance will cause people to engage in self-reflection in the mist, more capable of confronting their own actions in a self-composed manner.

As an artist born in Taiwan, CHANG Fu-Chun attempts to reflect the confusion of modern spirituality through the imagery of dense fog. At this time, the shock and impact of sudden changes in the environment, the fear of natural and man-made calamities and constant epidemics, and even the sense of confusion over the future of the planet and the country, all cause the fog to appear denser and heavier in the world interwoven by numerous minds. The artist tries to subsume this unique spiritual state in “Solar Terms in a Whispering Mist”, hoping to adjust the frequency of self-reflection, to bless and to heal the pain of life on Earth as well as in the land of Taiwan.

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