Overview
■ 展期 Duration   |2025 / 5 / 17 - 7 / 5
■ 開幕 Opening   | 5 / 17 (Sat)  3 PM
■ 地點 Venue        | 大河美術 RIVER ART GALLERY
 

 
大河美術將舉辦韓國藝術家 Lili Lee 首次個展《Where Words Fade》。本展聚焦於「視覺節奏」作為創作核心,呈現藝術家對語言、情感與內在狀態之間關係的細緻觀察與詩性轉化。展名 《Where Words Fade》源自藝術家對創作本質的反思——當語言逐漸失效、言說走向沉默,圖像便成為情緒與能量最直接且有效的載體;此時,那些欲言又止的情感,得以透過視覺語彙持續發聲,與觀者展開另一層次的對話。
 
Lili Lee 生於1993年,來自韓國大邱,2019年畢業於檀國大學東亞藝術學系。其創作曾於韓國、法國與加拿大多倫多等地展出,現居於南韓。她的藝術實踐深受文化背景與個人記憶的影響,自幼習畫並接觸韓國傳統繪畫,其創作軌跡自傳統技法出發,逐步發展出獨特的抽象語言與當代表現形式。旅居海外與返回家鄉的經驗,使她對韓國文化的情感連結日益強烈,也啟發其深入探索民俗信仰與傳統精神觀的脈絡。其早期作品即關注韓國薩滿(Shaman)信仰的世界觀,透過符咒圖像、宗教象徵與介於現實與非現實之間的視覺語境,探尋與不可見靈性空間的對話可能。為避免敘述式的再現,她運用點、線與幾何形構建抽象結構,嘗試將精神能量的流動具象化於畫布之上。
 
「圓形」作為藝術家創作中反覆出現的關鍵母題,其吸引力對她而言源於一種近乎潛意識的召喚。創作初期,圓在畫面中自然浮現,並在長期的描繪與重複中,逐漸轉化為一種內在語言與創作節 奏的來源。這種對圓的執著,並非指向某種具體象徵,而是一種純粹的感知渴望與沉浸經驗;描繪圓的動作本身即帶來心理上的穩定與創作的驅動。隨時間累積,這項重複性的行動逐步演變為藝術家創作語彙的結構核心,進而指向情感記憶、原始本能與潛意識層面的挖掘與建構。
 
在本次展出作品中,藝術家進一步將創作視角轉向「語言」、「對話」與「韻律」之間的關聯性。她將語言視為一種具感官結構的存在,其語調、重音、語速的變化所構成的節奏感,猶如音樂,形塑出語言的情緒張力與多重層次。在其作品中,圖像不再是靜態的視覺單位,而是承載情感流動的節奏載體。圓形因其無始無終、持續流轉的特質,成為藝術家用以表現情緒循環與感知韻律的理想形式。畫面中的點亦隨節奏變化,不斷擴張、收縮、消逝與再現,呈現一種具時間性與動態性的視覺語法。她更嘗試將語言交互所產生的空間感與心理氛圍轉化為畫面構成的一部分——畫面密度的調節、氣流的律動、光線的節奏與對話當下的感知狀態,皆成為創作素材,形構出富含時間性與空間感的「感官風景」(sensory landscape)。
 
大河美術期望透過《Where Words Fade》,呈現藝術家長期以來對圓形、節奏與抽象語彙的持續探索,同時揭示其創作脈絡中對語言本質與情感表達界限的深刻思索。展覽不僅是一場關於個人記憶與文化認同交織的視覺敘事,更是一場以感知節奏為經緯,建構出空間、情緒與符號之間共振關係的視覺實驗。當語言逐漸沉靜,Lili Lee 以點與圓所構成的節奏裝置,化為情感與意識流動的可視痕跡——在畫面微振之間,喚起那些難以言說卻深刻存在的心靈聲音。
 

RIVER ART GALLERY is pleased to present “Where Words Fade,” the first solo show by Korean artist Lili Lee. Centered on the concept of visual rhythmas a core of her practice, the exhibition presents the artist’s nuanced observations and poetic transformations of the relationships between language, emotion, and inner states. “Where Words Fade” reflects Lee’s contemplation on the essence of artistic creationwhen language begins to falter and silence takes over, images emerge as the most immediate and potent carriers of emotion and energy. In these moments, emotions that resist articulation continue to resonate through visual language, opening up a deeper level of dialogue between work and viewer.

 

Born in 1993 in Daegu, South Korea, Lili Lee received her BFA in East Asian Art from Dankook University in 2019. Her work has been exhibited in Korea, France, and Toronto, and she is currently based in South Korea. Deeply influenced by her cultural background and personal memories, Lee began painting at an early age and was exposed to traditional Korean painting practices. Her artistic trajectory evolved from conventional techniques into a distinctive abstract language and contemporary visual expression. Her experiences living abroad and returning home have deepened her emotional connection to Korean culture and inspired a sustained exploration of folk beliefs and spiritual traditions. Her early works drew from the worldview of Korean shamanism, engaging in a visual dialogue with the unseen spiritual realm through talismanic imagery, religious symbols, and liminal visual contexts that blur the line between reality and the metaphysical. To move beyond narrative representation, Lee employs dots, lines, and geometric forms to construct abstract structures, seeking to visualize the movement of spiritual energy onto the canvas.

 

The motif of the circle” recurs throughout Lee’s work, stemming from what she describes as an almost subconscious calling. Initially emerging organically in her compositions, the circle has, through repetition and sustained engagement, evolved into an inner language and a source of creative rhythm. Rather than serving as a specific symbol, the circle functions as a vessel of pure perceptual desire and immersive experience. The act of painting circles provides the artist with psychological grounding and fuels her creative impulse. Over time, this repetitive gesture has evolved into a structural cornerstone of her visual vocabulary, paving the way for the exploration and construction of emotional memory, primal instincts, and the subconscious.

 

In this exhibition, Lee further expands her inquiry into the relationship between language, dialogue, and rhythm. She approaches language as a sensorial structureits tone, stress, and pacing generating a musical rhythm that shapes emotional intensity and multilayered meaning. In her work, the image is no longer a static visual unit but a rhythmic vessel for emotional flow. The circle, with its continuous and cyclical nature, becomes an ideal form to express emotional cycles and perceptual rhythms. Dots shift and transform in response to this rhythmexpanding, contracting, vanishing, and reappearing—creating a dynamic visual syntax imbued with temporality. Lee also attempts to transform the spatial and psychological atmosphere evoked by verbal interaction into elements of visual composition. Modulations in density, the movement of air, rhythms of light, and the perceptual state of being during dialogue, all become material for constructing what she describes as a “sensory landscape”—a visual field imbued with a deep sense of time and space.

 

With “Where Words Fade”, RIVER ART GALLERY seeks to present the artist’s enduring exploration of circles, rhythm, and abstract visual language, while revealing her deep contemplation on the nature of language and the boundaries of emotional expression within her creative context. This exhibition is not only a visual narrative interweaving personal memory and cultural identity, but also a visual experimentone that maps out a resonant interplay between space, emotion, and symbol through a rhythm of perception. As language falls into silence, Lee’s rhythmic compositions— formed by dots and circlesbecome visible traces of emotional and cognitive flow. Within the subtle tremor of each piece, she evokes the quiet yet powerful inner voices that lie beyond the reach of words.

 

 

 

Works